https://meftunkadam.com/en/Original tracks, remixes and listening storiesenhttps://meftunkadam.com/en/music/soul-technique/https://meftunkadam.com/en/music/soul-technique/The sun goes down. The city keeps moving. Soul Technique brings sunset warmth into the steady motion of deep house. Its melodic space suggests a little distance from the crowd: the city keeps accelerating while you find a pace that feels like your own. The rhythm holds the scene together without taking all the attention. Imagine lights passing behind a window and a familiar pulse in your headphones. There is no destination to rush towards. The title’s meeting of soul and technique lives in that balance: ordered movement with enough warmth to make room for a person inside it.https://meftunkadam.com/en/music/girl-boss/https://meftunkadam.com/en/music/girl-boss/Choose your own direction for the night Girl Boss places confidence at the centre of a night out. Its slap house identity and vocal focus suggest a presence that does not need to ask for attention. The bass gives that attitude a physical shape: direct, lively and comfortable taking up space. The night-time artwork extends the idea. Think of the moment when you finish getting ready, open the door and step into a city that has made no promises yet. The track belongs to that first decision to move, with the rest of the evening still yours to shape.https://meftunkadam.com/en/music/separation/https://meftunkadam.com/en/music/separation/The distance grows. The rhythm stays. Separation places the feeling of distance inside continuing movement. The deep house pulse keeps walking while the melodic mood carries something left behind. Separation becomes a feeling between steps, with enough momentum to prevent the scene from standing still. The red-lit portrait gives that tension a visual form: a face close to us, a distance we cannot measure. The track leaves the details of a goodbye open. In headphones, following a rhythm can sometimes feel easier than resolving a thought. That is the emotional space this scene inhabits.https://meftunkadam.com/en/music/set-me-free/https://meftunkadam.com/en/music/set-me-free/Space appears when you let go Think of Set Me Free as a hand slowly unclenching. The deep house rhythm gives the body a stable floor while the idea of freedom becomes a loosening of thoughts held too tightly. Movement starts to feel natural again, with less need to control every step. The Original Mix is the main doorway into that world. Its listening story is about staying with the feeling rather than reducing freedom to a slogan. Warm and cool details in the artwork can read as two states of the same face: noticing an open door, then choosing to walk through it.https://meftunkadam.com/en/music/planet/https://meftunkadam.com/en/music/planet/Step back and see the whole world Planet moves the point of view beyond a single person. Its electronic atmosphere can be heard against the imagined silence of a world seen from far away. Rhythm gives that open space a direction; the melodic mood brings something distant back within emotional reach. The artwork’s divide between light and darkness offers a frame for listening. Picture a small science-fiction scene: the camera slowly pulls away, the familiar world becomes smaller and details start to form a different whole. Planet leaves room for you to decide what lies beyond the edge of the image.https://meftunkadam.com/en/music/nahawind/https://meftunkadam.com/en/music/nahawind/An old string in a present-day rhythm Nahawind places the familiar warmth of the oud inside electronic movement. The closeness suggested by its string sound meets the forward motion of deep house. Imagine leaving an old street for a brightly lit avenue: the surroundings change, but a feeling travels with you. The traditional colour belongs to a living scene. There is a melodic thread to follow and a rhythmic floor to settle into. This scene lives in the meeting of those two ways of hearing: recognising a sound, then discovering how naturally it can belong to the night around you.https://meftunkadam.com/en/music/kamanche/https://meftunkadam.com/en/music/kamanche/Following the bow, staying with the beat Kamanche brings the expressive closeness of a bowed-string colour into an electronic setting. A melodic line can suggest a sentence waiting to be spoken, while rhythmic motion supplies the steps that carry it forward. The interest lies in the space between those gestures. Listen close and the imagined voice of the instrument comes forward. Step back and the electronic movement connects the scene. Kamanche offers a place to move between those listening distances, following a texture for a moment before returning to the pulse around it.https://meftunkadam.com/en/music/rampin/https://meftunkadam.com/en/music/rampin/The night refuses to stand still Rampin suggests a house scene where the decision to move has already been made. Its identity rests on rhythmic continuity: one step invites another, and the lights outside seem to travel in the same direction as the music. Movement is the central character in this scene. Whether you are in a room full of people or alone in headphones, the invitation is to stay inside the flow for a while. After the more inward-looking parts of the catalogue, Rampin offers a route back to the body and the present moment.https://meftunkadam.com/en/music/rain/https://meftunkadam.com/en/music/rain/Rain on the window, the city further away Rain suggests watching a wet city from a little distance. Its chill deep house identity suits a quieter kind of movement. The imagined rain and electronic flow make a small shelter within the activity outside, with room to let your thoughts slow down. No major event is needed for this scene: evening lights, marks on the glass and a moment without conversation are enough. The instrumental space leaves the scene open. Hear it as an atmosphere or move closer to its details, like looking through the same window from two different places in the room.https://meftunkadam.com/en/music/we-loved-so-much/https://meftunkadam.com/en/music/we-loved-so-much/The warmth of the past tense We Loved So Much leaves space for a closeness remembered. Its instrumental house setting offers a floor for thoughts moving around a memory. Without words fixing the scene, the feeling can extend beyond a single ending or a single explanation. The distant figures in the sunset artwork suggest looking in separate directions as much as coming together. This scene is about carrying some warmth into the present rather than rebuilding the past. Returning to the rhythm offers a place where a memory and continued movement can exist together.https://meftunkadam.com/en/music/cold/https://meftunkadam.com/en/music/cold/Movement from inside the cold Cold’s dark electronic world places a surface between a person and the outside. The frosted-glass artwork suggests the difference between being seen and being reached. Rhythmic motion can be imagined as a search for space within that enclosed feeling. Stay with the sensation of wanting to speak while something prevents the voice from arriving. You can see beyond the glass, yet the surface between you changes the whole scene. Listening with the lights low leaves room to connect the image’s hard edges with the emotional space of the music.https://meftunkadam.com/en/music/invisible/https://meftunkadam.com/en/music/invisible/The trace left by a disappearing figure Invisible can suggest a need to step away from a crowd as much as a wish to disappear. Its instrumental setting leaves the person in the scene undefined. Electronic movement gives that open space a direction without requiring an explanation in words. The dissolving figure in the artwork feels like a presence blending into its surroundings. This scene follows what remains: an association after a melody, a thought after a sound. Invisible offers a quiet distance from which to notice those small traces at your own pace.https://meftunkadam.com/en/music/promise/https://meftunkadam.com/en/music/promise/An unseen thread between two people Promise places the bond left by a word at the centre of its listening world. The instrumental house setting makes room for a closeness that does not need a spoken sentence. Movement suggests living with a promise rather than freezing it in one moment. The red thread in the artwork gives that connection a simple shape. There is room for it to feel reassuring at one point and like a responsibility at another. The story has no fixed ending; you decide who, or what, belongs at either end of the thread.https://meftunkadam.com/en/music/anyway/https://meftunkadam.com/en/music/anyway/The sentence can end before the road does Anyway feels close to the decision to continue when there is still too much to say. Its instrumental electronic setting leaves those unfinished sentences to the listener. Rhythm can be imagined as a set of steps finding direction inside that uncertainty. The figure moving along the coast gives the story its motion. Nothing requires every question to be resolved before leaving a place. This is a listening scene for an evening when you can walk on with uncertainty beside you, without forcing it to become an answer.https://meftunkadam.com/en/music/sunset/https://meftunkadam.com/en/music/sunset/Let the last light stay a little longer Sunset makes space to watch the end of the day without hurrying it. Its chill deep house identity sits beside an imagined horizon changing slowly. The scene can feel calm and moving at once: rhythm continues while some of the day’s weight begins to disperse. The figure by the water can be a pause for the view rather than someone waiting for an event. This scene has no grand conclusion. It is a moment to notice the light leaving, stay with the change and carry a warm colour into the night.https://meftunkadam.com/en/music/forget/https://meftunkadam.com/en/music/forget/Forgetting has its own movement Forget opens towards making space around a memory. Deep house movement offers another pattern for a mind that keeps returning to the same place. The melodic mood can hold the sense that something is still there while leaving room to continue. The visual idea of traces dispersing along a distant path belongs to that feeling. Forgetting in this story is gradual: longer intervals between looking back, or a familiar emotion no longer deciding the whole day. The continuity of rhythm can accompany those small changes.https://meftunkadam.com/en/music/my-pain/https://meftunkadam.com/en/music/my-pain/The face an inward feeling wears My Pain suggests that a private feeling does not always show the same face outside. The emotional electronic setting meets the cracked, coloured face in the artwork. From a distance it forms one image; closer attention reveals separate colours and breaks. You can be beside a feeling without explaining it. Rhythm gives that emotion a place to move, leaving room for an outward face and an inner state to exist together. In headphones, My Pain offers a moment to notice the distance between the expression that is visible and the intensity that remains inside.https://meftunkadam.com/en/music/falling-down/https://meftunkadam.com/en/music/falling-down/A changing view inside the fall Falling Down’s cinematic world suggests the moment when a stable floor shifts. Electronic movement allows even the idea of falling to contain a flow. The scale of the artwork makes its figure small against the surroundings, giving a visual shape to uncertain control. Fear is one way into the scene, but the changing point of view leaves other possibilities. What looked like up may appear different from another place. This scene stays in that interval, following motion and open space without deciding where the fall must end.https://meftunkadam.com/en/music/i-cant-hide/https://meftunkadam.com/en/music/i-cant-hide/A feeling that escapes the curtain I Can't Hide suggests an emotion that has begun to show despite the effort to keep it inside. The movement of deep house creates an interesting tension with the idea of hiding. As the body joins a rhythm, something private can become visible too. The curtain and threshold in the artwork frame the interval between staying concealed and stepping out. This story leaves the details of a confession open. The next step has not been decided. Between moving towards the light and drawing back, there is a little room to follow the rhythm and let a feeling find its own shape.https://meftunkadam.com/en/music/soul-sake/https://meftunkadam.com/en/music/soul-sake/Carrying a light through the dark In Soul Sake’s artwork, light is held within the figure rather than cast across the scene from outside. The emotional electronic identity leaves room to imagine the tension between that small brightness and the surrounding dark. Rhythmic motion becomes a set of steps carrying it somewhere. The light has no fixed meaning in this story. It might be a memory, a protected feeling or a possibility not yet abandoned. The track leaves the association open, inviting attention to both the width of the scene and the small detail being kept at its centre.https://meftunkadam.com/en/music/lyuli/https://meftunkadam.com/en/music/lyuli/A new floor beneath a familiar melody Lyuli opens a meeting place for folk colour and electronic movement. The closeness suggested by a familiar melodic character sits beside a present-day rhythmic energy. Imagine picking out a melody among outdoor sounds, then finding yourself moving with it. The warmth and motion of the artwork belong to that listening scene. There is no need to choose between past and present when both can be felt together. Lyuli marks a corner of the catalogue for listeners drawn to traditional melodic colours who also want to stay inside an electronic flow.https://meftunkadam.com/en/music/private-party/https://meftunkadam.com/en/music/private-party/The night begins when the door closes Private Party suggests a night that belongs to the people inside it. Its dance-focused electronic identity creates a space where the outside day can stay beyond the door for a while. The size of the room matters less than the ease of sharing a movement. The illuminated doorway in the artwork makes that change of atmosphere visible. Picture a small gathering or a dance floor made at home for one person. This scene reduces the scale of the party while making more room for the rhythm.https://meftunkadam.com/en/music/aye-aye/https://meftunkadam.com/en/music/aye-aye/A short answer to an invitation to move The brief response in Aye Aye’s title feels like a signal to join in. Its electronic identity and melodic-motif setting suggest entering a flow without waiting for a long explanation. The words are short; the imagined night around them can be much wider. The red artwork concentrates that energy into a single visual colour. Take a step, then become comfortable inside it: that is the direction of this scene. Aye Aye offers an immediate entrance to the catalogue while leaving room for associations that belong to the listener.https://meftunkadam.com/en/music/imagery/https://meftunkadam.com/en/music/imagery/Images appear when the eyes close Imagery can be approached as a space for making pictures while listening. Its cinematic electronic identity suggests transitions between scenes rather than one fixed event. A colour becomes a surface, then another place; rhythmic motion connects the images taking shape in the mind. The textured artwork offers a starting point, not a completed script. Close your eyes and follow a detail, or let the track become an atmosphere around what you are doing. In this scene, the person completing the image can change with every play.https://meftunkadam.com/en/music/viskime-buz/https://meftunkadam.com/en/music/viskime-buz/The city’s conversation enters the beat Viskime Buz brings Meftun Kadam and Derun together in a rap house recording. A vocal centre gives the electronic movement a direct human attitude. The imagined scene is a conversation from the night entering the music, carried by both delivery and rhythm. Think of bar lights and an evening stretching further into the city. The concrete detail in the Turkish title brings the atmosphere close, like a small object on the table rather than a long explanation. This is a vocal-facing corner of the catalogue, built around words and presence.https://meftunkadam.com/en/music/stay-with-me/https://meftunkadam.com/en/music/stay-with-me/Stay here a little longer Stay With Me suggests the wish to keep a moment of closeness from ending too soon. Its vocal electronic world makes room around that short request. Continuing rhythm can be imagined as allowing the scene to remain open a little longer. Staying in the same room, postponing the end of an evening or wanting a welcome feeling to last: many small scenes can form around the title. The track leaves enough space for the memory you choose to bring. Who is being asked to stay, and which moment matters, can take shape in your own world as you listen.https://meftunkadam.com/en/music/already-know-the-story/https://meftunkadam.com/en/music/already-know-the-story/You know the ending and return anyway Already Know the Story asks why a familiar story can still bring us back. Knowing what comes next does not always reduce its feeling. Electronic rhythm has a related relationship with repetition: entering a known movement again need not mean being in the same place. The night-road imagery makes this a scene of returning. Pass the same street on another evening and different details can come forward. Listen with that possibility in mind, following small changes within familiarity and carrying the comfort of recognition into the movement.https://meftunkadam.com/en/music/pull-up/https://meftunkadam.com/en/music/pull-up/Move closer to the moment Pull Up turns the invitation in its title into a house listening scene. Instead of staying with one thought, there is room to join the movement around you. The directness of dance can gather a scattered day’s attention into one place for a while. The distance travelled matters less than feeling the rhythm where you are. Entering a room, joining friends or standing up alone can all be entrances to the same story. Pull Up leaves an open door in the catalogue for movement without an elaborate script.https://meftunkadam.com/en/music/roses/https://meftunkadam.com/en/music/roses/Movement inside a softer image Roses brings the close, textured image suggested by its name into an electronic setting. Think of the difference between a flower seen as a whole and the folds noticed from nearby. The melodic identity makes room for that kind of attention. No particular romance is assigned to this story. It is about looking a little longer at an image you like or getting to know a feeling without hurrying. Electronic motion keeps the softer scene moving, offering a stop in the catalogue for melodic closeness and a continuing rhythmic floor.https://meftunkadam.com/en/music/phoenix/https://meftunkadam.com/en/music/phoenix/Movement after the ashes Phoenix suggests beginning to move from a place that seemed finished. In this story around its electronic identity, renewal can be a small decision: getting up, looking in another direction or allowing a familiar day to change a little. The bird in the title need not belong to one hero. Each listener can bring a different beginning to the image. As an earlier recording in the catalogue, Phoenix still leaves that association open: after what has passed, there may be another space in which to move.https://meftunkadam.com/en/music/my-chick/https://meftunkadam.com/en/music/my-chick/A lighter attitude towards the night My Chick belongs to the catalogue’s dance-facing electronic side. The conversational directness of its title suggests an entrance that needs no heavy explanation. This listening scene centres on becoming a little more comfortable moving with the music where you are. Imagine an evening whose plans are still open. Rather than rushing somewhere, you notice the people nearby and how the moment feels. The story stays around that small ease: joining the night from your own place, without forcing an attitude or deciding the whole evening in advance.https://meftunkadam.com/en/music/letting-me-down/https://meftunkadam.com/en/music/letting-me-down/Where an expectation quietly changes Letting Me Down can be read around the moment an expectation goes unanswered. Making room for that feeling inside electronic movement suggests that disappointment need not bring everything to a stop. The emotion stays while time and the body continue. This story assigns no blame. It focuses on an interval when a point of view changes and less is expected from something once familiar. Listening from that distance can offer a way to observe an intense feeling. It is an earlier stop in the catalogue for a more inward-looking evening.https://meftunkadam.com/en/music/cant-you-see/https://meftunkadam.com/en/music/cant-you-see/A small signal asking to be noticed Can't You See carries a call that suggests an important detail may have been missed. In this scene around its electronic identity, attention turns to the distance between being visible and being truly noticed. An emotion can sit in plain sight while we wait for the right moment to look at it. The question in the title leaves that moment open. No particular person needs to supply the answer; it might be a detail in your own view. This earlier recording invites a small change in where you place your attention.https://meftunkadam.com/en/music/stop/https://meftunkadam.com/en/music/stop/A stop sign inside the flow Stop brings Meftun Kadam and Kate Lawa together in a vocal electronic recording. The title suggests a short request spoken in the middle of continuing movement. A listening scene can form around the tension between a call to stop and a rhythm that keeps going. Stopping need not mean that everything ends. It may be a boundary, a breath or a moment to reconsider what has just happened. Hear the track around that interval: movement continues outside while a different decision starts to take shape within.https://meftunkadam.com/en/music/lovely-istanbul/https://meftunkadam.com/en/music/lovely-istanbul/Hearing a city as closely as a rhythm Lovely Istanbul invites an image of Istanbul as a city to move through rather than a postcard to observe. Electronic flow can connect the different speeds meeting in one place: a slower view by the water, an evening gathering pace a few streets away. No specific district or remembered day is assigned to this story. There is space for your own Istanbul: water, light, crowds and the small gaps between them. The recording offers a way to revisit that layered image with music, following whichever route the city suggests to you.https://meftunkadam.com/en/remixes/tarkan-serbetli/https://meftunkadam.com/en/remixes/tarkan-serbetli/A rhythm running through the heat The bright pop world of Şerbetli takes on a different motion around an Afro house rhythm. Picture a dance floor still holding its warmth as the sun begins to fade. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/yalanci-bahar-isikli-yol/https://meftunkadam.com/en/remixes/yalanci-bahar-isikli-yol/Two songs, one road A mashup bringing Yalancı Bahar and Işıklı Yol into the same flow. The associations of two separate songs move closer together, with an electronic rhythm opening a shared path. This is the recording published as a Meftun Kadam Mashup. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/ferdi-tayfur-ben-de-ozledim/https://meftunkadam.com/en/remixes/ferdi-tayfur-ben-de-ozledim/The moving side of longing The longing in Ben de Özledim meets movement in this Afro house rework. It is a meeting of remembrance and forward motion, taking an emotional weight towards the dance floor. This is the recording published as a Meftun Kadam Rework. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/zeynep-bastik-misafir/https://meftunkadam.com/en/remixes/zeynep-bastik-misafir/A visitor to the night Zeynep Bastık's Misafir opens towards Afro house in this interpretation. Warm surroundings, a restless sense of motion and a familiar connection to the song share the same frame. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/gokhan-turkmen-acik-adres/https://meftunkadam.com/en/remixes/gokhan-turkmen-acik-adres/A clear address, a deeper feeling The emotional world of Açık Adres sits at the centre of this deep house interpretation. Place it alongside an evening walk, a short journey through the city or a listening moment that opens into the night. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/mustafa-basal-sophie-grey-fast-love/https://meftunkadam.com/en/remixes/mustafa-basal-sophie-grey-fast-love/Straight towards the dance floor Fast Love sits on the directly dance-facing side of this collection. The remix around Mustafa Başal and Sophie Grey's song suggests a night driven by anticipation rather than haste. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/nahide-babashli-durust-ol/https://meftunkadam.com/en/remixes/nahide-babashli-durust-ol/Words to say, a rhythm to stay with The direct encounter suggested by Dürüst Ol opens an emotional door into this deep house interpretation. Stay with Nahide Babashli's song a little longer, this time inside the rhythm. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/melih-kibar-sucu-cocuk/https://meftunkadam.com/en/remixes/melih-kibar-sucu-cocuk/A memory finding a new stride Melih Kibar's Sucu Çocuk brings a familiar melodic world into an electronic stride. Nostalgia becomes a space for carrying a memory into the present as much as looking back at it. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/sezer-sarigoz-sar-beni-sar/https://meftunkadam.com/en/remixes/sezer-sarigoz-sar-beni-sar/Let closeness find its rhythm The sense of closeness in Sar Beni Sar becomes a listening scene in this house interpretation. There is room both for a private moment with the song and for stepping out into the night. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/aynur-hashas-o-yar-gelir/https://meftunkadam.com/en/remixes/aynur-hashas-o-yar-gelir/An electronic space around the folk song Aynur Haşhaş's O Yar Gelir meets electronic music on the same stage. The remix approaches the associations of the folk song through rhythm, bringing a traditional colour into a different listening setting. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/sila-leyla/https://meftunkadam.com/en/remixes/sila-leyla/The echo a name leaves behind Sıla's Leyla is an emotionally focused stop in this deep house collection. It leaves room for a name, a face or an unfinished conversation to come to mind. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/bengu-mustafa-ceceli-kervan/https://meftunkadam.com/en/remixes/bengu-mustafa-ceceli-kervan/A song to keep travelling with Bengü and Mustafa Ceceli's Kervan travels alongside a house rhythm in this interpretation. Take the journey suggested by its title into a night drive or a walk among the city lights. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/edis-zeynep-bastik-yatakta-kardiyo/https://meftunkadam.com/en/remixes/edis-zeynep-bastik-yatakta-kardiyo/Feel the movement, keep it playful Edis and Zeynep Bastık's Yatakta Kardiyo opens up the playful pop side of the collection. A remix break for movement and lightness, turning the pace of the day towards dancing for a while. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/zeynep-bastik-kor-sevdam/https://meftunkadam.com/en/remixes/zeynep-bastik-kor-sevdam/The feeling left at sunset This deep house interpretation around Kör Sevdam places warm light beside an inward-looking feeling. A stop where you can stay with Zeynep Bastık's song in a crowd or in a space of your own. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/ceren-kacar-sen-nazli-bir-ciceksin/https://meftunkadam.com/en/remixes/ceren-kacar-sen-nazli-bir-ciceksin/A rhythm around a delicate feeling The delicacy suggested by Sen Nazlı Bir Çiçeksin gives Ceren Kaçar's song a place of its own in this collection. The deep house interpretation makes room for movement alongside a fragile feeling. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/guvercin-ucuverdi/https://meftunkadam.com/en/remixes/guvercin-ucuverdi/From a folk melody to an electronic horizon Güvercin Uçuverdi forms a bridge between folk music and electronic rhythm. Follow the images carried by its familiar title in a different frame, opening towards dance. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/ferdi-tayfur-bana-sor/https://meftunkadam.com/en/remixes/ferdi-tayfur-bana-sor/The feeling inside the question Ferdi Tayfur's Bana Sor gives this remix an emotional centre. The weight associated with the song sits beside electronic motion, changing the pace of the evening from within. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/homayoun-shajarian-arayeshe-ghaliz/https://meftunkadam.com/en/remixes/homayoun-shajarian-arayeshe-ghaliz/Another language, a shared feeling A remix bringing Homayoun Shajarian's musical world together with a house approach. Arayeshe Ghaliz leaves space to build your own images around a voice, even without understanding every word. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/levent-batu-gorunmez/https://meftunkadam.com/en/remixes/levent-batu-gorunmez/A feeling made visible through sound Levent Batu's Görünmez is a vocal remix recording, distinct from the instrumental Invisible in the original catalogue. Approach the associations of the title through a voice and a song interpretation this time. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/ezgi-barkin-her-neyse/https://meftunkadam.com/en/remixes/ezgi-barkin-her-neyse/Said, then left behind Built around Ezgi Barkın's cover of Redd's Her Neyse, this remix brings the vocal recording into an electronic frame. Alongside the instrumental Anyway in the original catalogue, it offers a separate way into that listening world. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/nahide-babashli-soz-verdim/https://meftunkadam.com/en/remixes/nahide-babashli-soz-verdim/Two ways into a promise Nahide Babashli's Söz Verdim appears here as a vocal remix. Separate from the instrumental Promise in the original catalogue, it follows the attachment suggested by a promise through the sung version. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/simge-soyleme/https://meftunkadam.com/en/remixes/simge-soyleme/A rhythm on the edge of words Simge's Söyleme creates a listening space around the tension suggested by its title in this deep house interpretation. A remix for moments caught between saying something and holding it in. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/sila-yagmur/https://meftunkadam.com/en/remixes/sila-yagmur/A feeling falling over the city Sıla's Yağmur joins the collection with the city scenes and memories suggested by its title. The deep house interpretation leaves room for movement alongside the inward turn that rain can bring. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/murat-boz-cok-sevdik/https://meftunkadam.com/en/remixes/murat-boz-cok-sevdik/A past tense, a present rhythm Murat Boz's Çok Sevdik carries a sentence looking back into a present listening moment. Think of this deep house remix as a way to continue with a feeling, as well as a possible closing scene. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/ilyas-yalcintas-sorma/https://meftunkadam.com/en/remixes/ilyas-yalcintas-sorma/An evening without waiting for answers İlyas Yalçıntaş's Sorma opens towards the space between a question and silence in this house interpretation. Imagine an evening when every feeling does not need an explanation. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/mehmet-erdem-aciyi-sevmek-olur-mu/https://meftunkadam.com/en/remixes/mehmet-erdem-aciyi-sevmek-olur-mu/Keeping time with a difficult feeling Mehmet Erdem's Acıyı Sevmek Olur mu sits on the questioning side of this remix collection. The dilemma in its title makes room to find a personal answer within an electronic listening flow. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/mustafa-ceceli-gelme-ustume/https://meftunkadam.com/en/remixes/mustafa-ceceli-gelme-ustume/Mark your space with rhythm Mustafa Ceceli's Gelme Üstüme brings the determination of its title into the collection. A remix stop where the song and electronic movement can sit together when you need a little space of your own. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/madrigal-senden-yoksun/https://meftunkadam.com/en/remixes/madrigal-senden-yoksun/A window onto an absence Madrigal's Senden Yoksun finds a place in the house collection with a title that suggests absence. Think of a listening moment when the city keeps moving while your thoughts are somewhere else. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/aleyna-tilki-tanirim-intihari/https://meftunkadam.com/en/remixes/aleyna-tilki-tanirim-intihari/Around a darker title This remix around Aleyna Tilki's Tanırım İntiharı opens towards the darker associations in the collection. An interpretation that places a pop song inside a different electronic listening frame. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/yuzyuzeyken-konusuruz-dinle-beni-bi/https://meftunkadam.com/en/remixes/yuzyuzeyken-konusuruz-dinle-beni-bi/Follow the rhythm for a moment Yüzyüzeyken Konuşuruz's Dinle Beni Bi' opens this remix with the direct invitation in its title. A stop for hearing a familiar song world through a different kind of movement. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/nahide-babashli-unuttun-mu-beni/https://meftunkadam.com/en/remixes/nahide-babashli-unuttun-mu-beni/A question waiting to be remembered Nahide Babashli's Unuttun mu Beni brings a feeling that circles a question into this remix collection. The house frame offers another route into the associations between remembering and waiting. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/linet-dunyadan-uzak/https://meftunkadam.com/en/remixes/linet-dunyadan-uzak/One step away from the crowd Linet's Dünyadan Uzak brings the distance suggested by its title into an electronic listening space. A remix idea for moments when the world can keep moving while you return to a rhythm of your own. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/melek-mosso-kizginim/https://meftunkadam.com/en/remixes/melek-mosso-kizginim/Give a feeling room to move Melek Mosso's Kızgınım is a remix stop that starts from a clear feeling. Place this house interpretation in a listening moment when an intense emotion needs to move rather than stay still. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/cem-adrian-huzun-kovan-kusu/https://meftunkadam.com/en/remixes/cem-adrian-huzun-kovan-kusu/A space opening beside sadness Cem Adrian's Hüzün Kovan Kuşu brings the possibility of lightness in its title into the collection. The house interpretation leaves a listening space for imagining a wider horizon beside a darker feeling. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/candan-ercetin-yalan/https://meftunkadam.com/en/remixes/candan-ercetin-yalan/The space one word leaves behind Candan Erçetin's Yalan opens a broad emotional space around its one-word title. Approaching a familiar song through a house rhythm offers another way to consider what that word brings to mind. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/loreena-mckennitt-santiago/https://meftunkadam.com/en/remixes/loreena-mckennitt-santiago/A journey beginning with a place name Loreena McKennitt's Santiago is a stop devoted to the meeting of folk and electronic music. Bring the distances suggested by a place name into a listening journey of your own through this remix. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/sila-inandim/https://meftunkadam.com/en/remixes/sila-inandim/Walking on after a decision Sıla's İnandım is a house interpretation opening around a word of conviction. Belief, waiting or reconsideration: follow the path the song opens for you alongside the rhythm. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/justin-bieber-benny-blanco-lonely/https://meftunkadam.com/en/remixes/justin-bieber-benny-blanco-lonely/Moving alongside solitude Justin Bieber and Benny Blanco's Lonely moves into a different listening setting in this remix. Consider the contradiction of placing solitude inside a crowd through an electronic flow. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/mabel-matiz-toy/https://meftunkadam.com/en/remixes/mabel-matiz-toy/Another frame around a song Mabel Matiz's Toy sits on the electronically reinterpreted side of the collection. Like seeing a familiar song in another light, it leaves room for a personal listening story as the associations shift. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/raj-kapoor-awara-hoon/https://meftunkadam.com/en/remixes/raj-kapoor-awara-hoon/An older cinema world echoing today Released under the Raj Kapoor credit, this Awara Hoon remix brings a familiar connection to cinema into an electronic setting. A listening scene for images remembered from film and movement in the present. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/muhlis-berberoglu-nihavent-taksim/https://meftunkadam.com/en/remixes/muhlis-berberoglu-nihavent-taksim/An electronic space around a taksim This remix around Muhlis Berberoğlu's Nihavent Taksim places a traditional form of expression beside an electronic approach. A distinct stop for following a melodic idea through rhythm. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/soner-sarikabadayi-rahat-rahat/https://meftunkadam.com/en/remixes/soner-sarikabadayi-rahat-rahat/Turn the pace of the day into dance Soner Sarıkabadayı's Rahat Rahat brings the lightness of its title into an idea of active listening. This remix leaves a space for setting the weight of the day aside and giving some time to rhythm. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/sezen-aksu-belalim/https://meftunkadam.com/en/remixes/sezen-aksu-belalim/Another face of a familiar feeling Sezen Aksu's Belalım finds a new listening frame in this house interpretation. Beside an existing connection to the song, there is room for carrying the same feeling through a different movement. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/linet-yatsin-yanima/https://meftunkadam.com/en/remixes/linet-yatsin-yanima/A night with room for closeness Linet's Yatsın Yanıma brings a feeling of closeness into this deep house collection. Think of the song as a personal space opening into the night, following a familiar feeling through electronic motion. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/jehan-barbur-yetinemedim/https://meftunkadam.com/en/remixes/jehan-barbur-yetinemedim/A feeling that wants to stay longer Jehan Barbur's Yetinemedim joins the collection around a feeling that has not had enough. The house interpretation makes room to stay a little longer inside a listening moment you do not want to end. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/mission-impossible-theme/https://meftunkadam.com/en/remixes/mission-impossible-theme/The cinematic side of motion Mission Impossible Theme is the catalogue's stop for an electronic interpretation of a film theme. Take the feeling of following a story into a listening scene made from images of your own. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/polyushka-polye/https://meftunkadam.com/en/remixes/polyushka-polye/Towards a wider horizon Polyushka Polye is a remix where traditional repertoire meets an electronic approach. Place its sense of an expansive landscape inside a listening frame shared with travel and motion. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/billie-eilish-everything-i-wanted/https://meftunkadam.com/en/remixes/billie-eilish-everything-i-wanted/Walking inside a thought Billie Eilish's Everything I Wanted meets an inward-looking listening scene in this remix. Follow an electronic flow among expectations, memories and imagined scenes. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/alphaville-big-in-japan/https://meftunkadam.com/en/remixes/alphaville-big-in-japan/A night light from another time Alphaville's Big in Japan is a remix stop where musical associations from different times meet in one listening moment. Place its familiar world beside the dance movement of the present. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.https://meftunkadam.com/en/remixes/sami-yusuf-nasimi/https://meftunkadam.com/en/remixes/sami-yusuf-nasimi/Another world opened by a voice This remix around Sami Yusuf's Nasimi is a space for the meeting of folk and house approaches. A stop for entering the world suggested by the song from the side of electronic rhythm. This is the recording published as a Meftun Kadam Remix. Follow the images it brings to mind, then explore another side of that listening world through the original tracks below.